
“There’s no cure like travel to help you unravel the worries of living today” as Cole Porter once penned, not yesterday. But when a television show packs its parasol and heads for the metaphorical beach, why is it that so many end up launching themselves into a period of steep decline? The term we often use to describe the phenomenon, ‘jumping the shark’, betrays the link between holidays and the inevitability of decline for a TV show. Anyone up on their trivia will know that the term is in tribute to the ‘Hollywood’ three-parter of Happy Days. The lights of LA have called to the Happy Days cast, and the Fonz is challenged by a local hero, “The California Kid” to literally ski-jump over a great white shark. And well… he doesn’t end up as sharkmeat. That’s it.
There were actually one hundred and sixty four episodes after this one aired, but no matter how it clung on, the shark-jumping episode was always treated as a sign that something was very wrong in the writer’s room. In fact, clinging on is something shark jumpers are quite good at. A popular example from Friends’ 10 seasons happens with the case on Barbados Holidays , an already far out Rachel plot concluded with her completing her perpetual confusion cycle and kissing longtime romantic disinterest Joey. When it comes to running overlong, the Simpsons has them all beat and has reputedly jumped the shark at least twice every episode since about 1993. The common opinion is that the Simpsons was never quite as good after Principal Skinner was found out to be a fraud in ‘Principal and the Pauper’. But with at least one good Ralph Wiggum line (”When I grow up, I want to be a Principal. Or a caterpillar!”) I always felt that this episode ushered in one of the last truly great seasons of the show.
The jumping point was always Season 10 in my opinion. The episode ‘Thirty Minutes Over Tokyo’ is the ultimate low and yet again, a holiday episode: they head to Japan, ignoring Homer’s pleas for Caribbean holidays, and for no particular reason. The show’s daft portrayal of Japanese culture (seizure robots and paper-walled prisons) is offensive only to the viewer.
Why do TV shows so often fail on vacation? It’s the fact that it’s the ultimate gimmick. Even in the Simpsons, a new location requires a bunch of new assets and general expenditure, which all eats away at the usual priority of writing a decent script (not forgetting that though the shows above have all jumped the shark, they were once the best in their class on TV). Anyone considering a holiday episode for even the most successful of series’ would be best advised to reconsider: you may never be able to regain your credibility.
Tags: Happy Days, Holidays, Simpsons, tv shows